C Duncan (conceived Christopher Duncan, 29 July 1989) is a Scottish arranger and artist. His organizations have been highlighted on different TV programs, including Waterloo Road, and have been performed by Icebreaker and the Sirens of Titan choir. His first solo single, "For", was discharged in December 2014.[2] He is presently marked to FatCat Records.

http://www.musiconfriday.com/new-album-c-duncan-health/

Tracks Listing:

1 Talk Talk Talk
2 Wrong Side of the Door
3 Impossible
4 He Came from the Sun
5 Holiday Home
6 Health
7 Somebody Else’s Home
8 Blasé
9 Reverie
10 Pulses & Rain
11 Stuck Here with You
12 Care

His introduction collection Architect was designated for the 2015 Mercury Music Prize.[3] In October 2016, he discharged his second collection The Midnight Sun.[4] On 18 January 2019 Duncan declared his third collection, Health, would be discharged on 29 March 2019. Around the same time, he discharged the main single from Health, "Impossible".[6] Health was created by Elbow's Craig Potter at Blueprint Studios at Salford, Manchester, and will be Duncan's first collection he didn't record and deliver completely without anyone else.

Duncan's folks are both traditional artists. He at first took up piano and viola as instruments, yet playing with groups in his high school years, he additionally figured out how to play guitar, bass and drums. He joined up with Royal Scottish Academy of Music and Drama (presently the Royal Conservatoire of Scotland) to think about music creation. His pieces were performed by different gatherings over the UK.[1]

Duncan's performance music takes in both traditional and present day music and has been depicted as joining lavish choral harmonies and acoustic instrumentation, finished like contemporary dreampop, and a cross of lo-fi society with the consonant width of choral organization. He has visited widely with his band to help the two his collections. Duncan is likewise a craftsman and has painted the photos utilized as spreads for his performance discharges.

The Midnight Sun is the second studio collection of Scottish writer and dream pop artist Christopher Duncan, known by his moniker C Duncan. While recorded by Duncan in a similar room studio as his past collection, Architect (2015), just as having a similar ornate pop solid, The Midnight Sun has an increasingly cleaned sound because of Duncan overhauling his studio, contains progressively electronic music components, is increasingly predictable elaborately, and has a darker tone and climate propelled by Rod Serling's TV The Twilight Zone. Discharged in October 2016 by FatCat Records, it arrived at number 28 on the Scottish Albums Chart, was generally welcomed by commentators and was a waitlist chosen one for the Scottish Album of the Year Award.

Duncan said that soon after the arrival of his first collection Architect (2015), he needed to complete a second collection rapidly essentially to keep occupied with visits: "I figured I should simply get the thoughts down for the second collection when they came, rather than sitting idle for it."[3] Like Architect, The Midnight Sun was composed and delivered by Duncan in his Glasgow room studio.[4] Due to his experience getting the hang of account hardware with Architect, which took over a year to complete, Duncan had the capacity to finish The Midnight Sun in just three months.[2]

Duncan at first got ready for his second record to be a Burt Bacharach-esque simple listening collection, where he utilized a progressively proficient studio and procured a string quartet.[5] However, at last, he chose to record in a similar studio as the one utilized for Architect at a similar low spending plan: "I got so used to having truly restricted access to things. So I needed to do that for the second collection, yet without it sounding [the same]."[5]

The Midnight Sun has an increasingly cleaned sound because of Duncan overhauling the hardware he utilized in the wake of finishing Architect.[4] He redesigned his Macbook, the sound interface he utilized, where he went from a TASCAM US-122 he utilized for a long time to Focusrite's Clarett 2Pre interface, and the screen he blended on, going from RHA earphones to KRK VXT4 monitors.[6] He got both the Clarett 2Pre and the KRK VXT4 screens through an arrangement Focusrite made with Duncan to show up in one of the organization's limited time recordings.