{(Zip)} Fleshgod Apocalypse Veleno (MP3) Album Download

some matters include time and enjoy,” says Paoli. “The extra we pass on as composers, the greater we study and develop. in case you work tough you may improve your skills forever and i wager all our lovers can feel a sluggish and steady progress in balancing all the specific elements of our song. I imply, musical taste is completely subjective and anybody can have a fave FLESHGOD APOCALYPSE album, but I think the development in composition approach is extra than obtrusive and objective. We go farther in this factor album after album. Our dream stays to collaborate in the future with a complete symphonic orchestra. With all of the support and interest we are receiving by way of lovers and the tune enterprise, it seems like that day is not that a ways anymore.

Tracks:

1 Fury
2 Carnivorous Lamb
3 Sugar
4 The Praying Mantis’ Strategy
5 Monnalisa
6 Worship and Forget
7 Absinthe
8 Pissing on the Score
9 The Day We’ll Be Gone
10 Embrace the Oblivion
11 Veleno

Fleshgod Apocalypse have just revealed a brutal new tune from their upcoming 5th studio album, Veleno. The sparkling track, “Sugar,” is a melodic and cruel loss of life metallic reduce, tastefully scaling returned the lavish orchestration of some of Fleshgod’s recent records.
Sugar” is Fleshgod’s first new music in view that King become unleashed in 2016. The track is driven heavily through guitar and piano, with symphonic elements and a lovely choir settled within the historical past.
Fleshgod have additionally launched a video for “Sugar,” which depicts the Italian band trapped in a chamber unexpectedly filling with water. “I met Giovanni Bucci multiple years in the past, while taking part on his very own band ODDKO. We soon became desirable friends, so we started out speaking about having him as director for Fleshgod’s new motion pictures,” says frontman Francesco Paoli.

he's a true visionary, with tremendous directing and production competencies. He’s been making song films for bands like Korn, and he additionally has a shining career within the film enterprise. all of us agreed that he could’ve been the important thing to a massive step forward for us, visually and artistically, particularly on a video like this, which changed into additionally extraordinarily complex to supply and shoot. The end result is for your screen now, and it is higher than any description. simply hit the play button and experience.”
Paoli keeps, “today is the day. a primary flavor of our new album, Veleno, is finally available for you all. No phrases can describe how excited we're and how lengthy we waited for this moment. What you notice is the harvest of 3 years of sweat, revolutions, excessive feelings and excessive demanding situations. We proved ourselves to be stronger than ever, despising compromises, placing the bar higher no matter what. The album is massive to say the least. each song is a unique piece, actually alive and respiratory. can not watch for you guys to listen the relaxation…”
Veleno (Italian for “venom”) will drop may also 24 through Nuclear Blast. check out the album artwork and music listing beneath and watch the video for “Sugar” above. enthusiasts can pre-order Veleno here.

Italian grandmasters of orchestral demise metallic FLESHGOD APOCALYPSE are finding spontaneity worthwhile on new album, »Veleno«. during the last four albums - preceding album, »King« (2016), floored fanatics and critics alike - the Francesco Paoli-led trio have planned each step, mentioned every notice, and ensured each salutation to Paganini, Bach, and Mozart became met with an equally brutal loss of life steel equal. On »Veleno«, which is Italian for ‘venom,’ they wished a exchange of approach (and tempo). To reap this, FLESHGOD APOCALYPSE distanced themselves from distraction - line-up adjustments, excursions, and the frustrations of every day life - unboxed the songwriting technique, and permit the muse go with the flow freely. As a end result, the institution have matured, combined more effectively their musical imaginative and prescient, and walked away with eleven songs that sound like a new band with an unsatiable prey power on »Veleno«.

“»Veleno« is the maximum spontaneous album we’ve ever finished,” says FLESHGOD APOCALYPSE’s multi-instrumentalist Francesco Paoli. “We’ve usually been extremely good-honest with our tune, however being honest doesn’t imply you are absolutely spontaneous. for instance, we’ve by no means recorded a unmarried observe with out being a hundred% certain it become the proper one to our ears. however letting your suggestion float freely, without any sort of time/schedule/sound/line-up restriction, is absolutely any other story. I mean, we simply experimented with some songs inside the past but occasionally it’s nearly like you sense the want to censor yourself, so to speak. some days you provide you with a virtually outstanding idea however, for a few reason, you believe you studied it’s ‘an excessive amount of’ to your tune and you toss it away. So, the dearth of limits, complete experimentation, an unavoidable process of rediscovering our roots… all this led us to the maximum beautiful song we’ve ever produced. I’m sure people will love »Veleno« as a lot as we do.”

formed in 2007 in Perugia through Paoli, bassist/vocalist Paolo Rossi, guitarist/vocalist Cristiano Trionfera, and drummer Francesco Struglia, FLESHGOD APOCALYPSE speedy prompt a firestorm of hobby after releasing their best demo, »Promo ‘07«. After a brief stint on Dutch indie Neurotic records, the group signed a cope with Candlelight data for Europe and Willowtip information for North america. The result of the deal became debut album, »Oracles«, in 2009. based totally off the first tune by myself - 'In Honour Of cause' - FLESHGOD APOCALYPSE have been hailed as Europe’s finest learners. however it changed into comply with-up album, »ache« (2011), wherein the Italians have become maestros of orchestral loss of life metal. thru using woodwinds, brass, strings, and percussion, FLESHGOD APOCALYPSE converted their technical loss of life steel, effectively widening the sonic palette. Albums like the mega-epic »Labyrinth« (2013) and the extremely-ornate »King« (2016) observed, ramping up the institution’s penchant for Bach- and Beethoven-stimulated overtures combined with savagely brutal dying metal.

“when we based this band, we had clear in mind that we wanted to do some thing vital with our track and absolutely everyone turned into sort of organized that it wouldn’t be smooth,” Paoli says. “all the stunning memories i have now from the beyond few years and all the expectations from what’s to return make this adventure particular and our lives very unique. And it’s first-rate to make most of these issues having in our arms not just a ‘fifth album,’ but the best album in our profession. It shows that both our running formula and the idea that what we attain is by no means an end point, but a new starting point, are running properly. This has additionally been perceived as a sign of authentic commitment through the enthusiasts. We experience a regular development as artists and people, which makes me truly happy with who we're and what we deliver.”

however there’s one key distinction among »King« and »Veleno«. That’s the absence of guitarist/vocalist Cristiano Trionfera and vocalist/guitarist Tommaso Riccardi, each of whom predate the »Mafia« EP (2010). Trionfera and Riccardi left the institution in 2017 for private motives. Their departure has re-fashioned FLESHGOD APOCALYPSE, but, with Paoli leaping from the drums to anticipate the position as vocalist/guitarist. Stepping in to fill the gaps are drummer David Folchitto (STORMLORD) and guitarist Fabio Bartoletti (DECEPTIONIST), musicians with an extended records within the diverse extremes of Italian metallic.

“David and Fabio are incredible musicians and men and women and they’re doing a killer activity stay,” says Paoli. “It’s a primary step, we simply need extra time before adding someone new to our formation. It’s like getting married once more and you need to be sure everything’s operating quality. permit me be clear: they're no longer fill-in musicians, they may be genuinely a part of the own family. we're just taking it easy earlier than announcing a brand new line-up formally.”

The “metallic component” of »Veleno« become recorded in Rome at Bloom Recording Studio and Kick Studio with lengthy-status collaborator Marco Mastrobuono, whilst the “orchestral component” - the ensembles - have been tracked at Musica Teclas Studio in Perugia. FLESHGOD APOCALYPSE then took the attempt over to Grammy-nominated Jacob Hansen at Hansen Studios in Denmark for blending and learning. The entire manufacturing of »Veleno« took, in step with Paoli, about three months.

“This changed into the second one time recording with Marco,” Paoli says. “we're longtime friends as well, so we know every different thoroughly. He helped us to push past our limits yet again, discover new fields and find out inner competencies we didn’t even understand to have. additionally, this time we had the possibility to file in one of the first-class studios in the u . s . a .: the Bloom Recording Studio in Rome, which is renowned for excessive-quit mainstream productions and film scores recordings. We recorded nearly the entirety there, besides for some stuff we tracked afterwards at Marco’s Kick Studio. it has been the nice recording consultation I’ve ever done for FLESHGOD APOCALYPSE, and that i suppose it’s been the identical for the other men. For the orchestral and choir recordings, we labored with our buddy Daniele Marinelli, who's an professional in relation to recording classical devices and choirs. With all of the stellar productions Jacob has delivered at some point of his profession, we idea he could have been the proper manufacturer for the sort of complicated and stressful project, which requires technical capabilities, taste and instinct. He outdid himself. We without a doubt hope we can work with him again within the future, as he’s now not best one of the exceptional metallic producers round, but additionally a definitely humble and type person.”

With the exceptional viable manufacturing activity, real orchestral ensembles - a full string quartet, a classical percussionist, and a baroque choir - and visitor musicians within the form of Maurizio Cardullo (FOLKSTONE) and Daniele Marinelli gambling uilleann pipes and mandolin, respectively, »Veleno« is FLESHGOD APOCALYPSE’s masterwork. From the tense beginning barrage of 'Fury' thru the scenic vistas of 'Monnalisa' to the brooding if heroic 'include The Oblivion,' »Veleno« encompasses the greatness of the albums previous but opens up whole new opportunities - sonic and aesthetic - for FLESHGOD APOCALYPSE. In truth, it’s an album that will have devoted fans frothing ('Worship And neglect,' 'Carnivorous Lamb') to evangelize FLESHGOD APOCALYPSE to new hordes, even as introducing critics to the group’s now-fully found out rating-like traits ('The Day We’ll Be long gone,' 'Monnalisa').


As for what’s subsequent, FLESHGOD APOCALYPSE are beyond excited that »Veleno« isn’t just their pleasant album to this point but that it’s a paradigm shift for the Italians. That it consists of a multi-faceted lyrical idea, direct (and critical) cultural ties to their home united states of america, and a deeply symbolic cover portray by means of Travis Smith (OPETH, OVERKILL) make for a first-rate coda, the likes of which haven't begun to be skilled on a FLESHGOD APOCALYPSE album. look for the Italians this summer at gala's throughout Europe, a world excursion, starting q4 in Europe. As famous Italian poet Dante Alighieri as soon as wrote, “From the little spark may additionally burst a powerful flame.” »Veleno« is that powerful flame.