Tom Rowlands, a youth colleague of Simons', was conceived on 11 January 1971 in Kingston upon Thames, London. At the point when Rowlands was exceptionally youthful, his family migrated to Henley-on-Thames. He later gone to Perusing Blue Coat School in Berkshire. In his initial teenagers, his enthusiasm for music widened to other classifications. At first, a portion of his top choices incorporated the Gracious What a Dazzling War soundtrack, 2 Tone, the incipient gothic shake classification (Sisters of Kindness, Fields of the Nephilim) and the electro hints of craftsmen, for example, Kraftwerk, New Request, Supper club Voltaire, and Paradise 17. He depicted the principal Open Foe collection, Yo! Bum Surge the Show, as "the record that presumably transformed him", and remarked that "Miuzi Gauges a Ton" was "a standout amongst the most astounding tracks he had ever heard". Rowlands likewise begun gathering hip jump records by specialists like Eric B and Schoolly D. Rowlands left school with comparable achievements to Simons', accomplishing nine O levels and three A dimensions. For college, he pursued Simons to Manchester fundamentally to inundate himself in its music scene as a rule and the Haçienda specifically.

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Tracks Listing:

1 Eve of Destruction (Ft. AURORA)
2 Bango
3 No Geography
4 Got To Keep On
5 Gravity Drops
6 The Universe Sent Me
7 We’ve Got to Try
8 Free Yourself
9 MAH
10 Catch Me I’m Falling

Rowlands was likewise in a band assembled Ariel preceding conference up with Simons.[3] Ariel was shaped in London by Rowlands and his companions Brendan Melck and Mathew Berry. Their first single was "Ocean of Beats", which was basically a white name. Before Philip Dark colored set up Reverberation Logik Records, their first promotion was "Bokadilo". Other melodies, discharged on 12", included "Mustn't Protest" and their most outstanding, "Rollercoaster".

Following a year on Reverberation Logik they marked to the record name deConstruction. They demanded that they get a female vocalist and they enlisted previous Xpansions frontwoman Sally Ann Bog, and after some frustrating tunes like "Let It Slide" (Rowlands would later depict it as "a stinker") the band came apart. One of the last things Ariel did was the tune "T Infant" which was remixed by the pair. With respect to the remix, Ed expressed that "Ariel emblematically finished when Deconstruction approached us for a Residue Brothers remix of an Ariel track. That was the last nail in the pine box". Tom would later say in a television meet from 1995: "One of the chaps went somewhat distraught, however at this point he's back at school, and the other one drives our van"

Around June 1993, the Residue Brothers did their first remixes. The first was "Bundle of Harmony" for Justin Robertson's Lionrock gathering, trailed by melodies from Leftfield, Republica, and The Shoes. Later in 1993, The Residue Brothers finished work on their Fourteenth Century Sky EP, discharged in January 1994. It contained the earth shattering "Chemical Beats", which embodied the pair's sort characterizing enormous beat sound.

The EP likewise contained "One An excessive number of Mornings", which out of the blue demonstrated the less extraordinary, more relaxed side of The Residue Brothers. Both "One An excessive number of Mornings" and "Chemical Beats" would later show up on their introduction collection. Fourteenth Century Sky was pursued later in 1994 by the My Mercury Mouth EP. "Chemical Beats" was likewise part of the soundtrack for the main release of the Crash amusement arrangement, having been included in Crash for the PlayStation in 1995.

In October 1994, The Residue Brothers wound up occupant DJs at the little, however compelling Radiant Sunday Social Club at the Albany bar in London's Incredible Portland Road.

Noel Gallagher, Paul Weller, James Dignitary Bradfield, and Tim Burgess were standard guests. The Residue Brothers were along these lines asked to remix tracks by Hyper Road Evangelists and The Con artists, in addition to Basic Shout's "Inmate" and The Wonder's "Voodoo Individuals". These two remixes got TV introduction, being playlisted by MTV Europe's "The Gathering Zone" in 1995. Right off the bat in 1994, The Residue Brothers were drawn closer in the club one Sunday by Noel Gallagher, from Desert garden, who at the time were getting to be a standout amongst the most noticeable guitar groups in England. Gallagher told the couple that he had a Balearic-propelled track which he had composed and might want the Residue Brothers to remix. Be that as it may, after some time, Gallagher altered his opinion, and at last the Brothers did not remix it.

In Walk 1995, The Residue Brothers started their first universal visit, which incorporated the US – where they played with Orbital and Black market – then a progression of European celebrations. Additionally around this time, protests were documented by the first Residue Brothers over the utilization of their name, thus Rowlands and Simons needed to settle on another name. They chose to then call themselves "The Chemical Brothers" after "Chemical Beats" (Simons' grandmother had proposed they call themselves "The Coarseness Brothers").